Mario Fratti Award winners

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Carlotta Corradi

2014 – Carlotta Corradi

VIA DEI CAPOCCI

A real street in a working-class neighborhood in the heart of Rome, Via dei Capocci is historically known for its prostitutes and legendary landladies who rent them small rooms known as Neopolitan “bassi.” An open-hearted depiction of women’s lives, the play mixes scenes from the present with flashbacks to the1950s, when two young prostitutes search for ways to survive in a brothel.

MFA 2015 Pier Lorenzo Pisano

2015 – Pier Lorenzo Pisano

MATER FAMILIAS

A powerful drama with exact dialogue and sharply drawn relationships, the play begins with a mother and son’s desperate need to commit a crime in order to let their family survive. From there, it moves backwards through the decades, as three generations come into focus: their dreams, regrets, and what might have been.

Emanuele Aldrovandi

2016 – Emanuele Aldrovandi

BUTTERFLIES

Two sisters whose favorite pastime is a dangerous game: whoever holds the butterfly hairpin can ask the other one to do anything. Butterflies is a tale of personal growth and sisterly love in which self-discovery is not always accompanied by greater understanding of the other person. Employing a crystal clear, refined theatrical language, the play develops along an unpredictable, almost mysterious structure, while its characters’ direct and effective dialogue paints a universally touching picture.

Carlotta Corradi

2017 – Paolo Bignami

THE LAND OF SWOLLEN FACES

A monologue that tells the story of a workplace accident in Italy, The Land of Swollen Faces is actively involved in denouncing a world that ignores human rights. Through the simple narration of tragic events by a single voice of heart-breaking lyricism and lightness, the play reminds us that change may begin with an individual, in the face of the reckless arrogance of the powers that surround him.

 

MFA 2018 - Chiara Boscaro & Marco de Stefano

2018 – Chiara Boscari & Marco Di  Stefano

THE CITY RISES

A changing city and its inhabitants; victims and perpetrators. A mayor, a construction worker, an old trade unionist, a young barista, a Tunisian girl, a stubborn journalist, a young delivery boy. Stories that intersect and then disperse again.

MFA 2018 - Chiara Boscaro & Marco de Stefano

2019 – Tobia Rossi

HIDE AND SEEK

Giò is a gay teenager firmly convinced that nobody loves him. He therefore decides to escape from that hostile world and hide in his secret shelter. Everyone is looking for him for days without success, until Mirko, one of his classmates, finds him by accident during a walk. Giò begs him to preserve his secret, making him an accomplice to his plan, which forces their relationship to take an unexpected turn.

MFA 2018 - Chiara Boscaro & Marco de Stefano

2020 – Giorgia Brusco

CRUMBS OF JOY

Two elderly people live alone. Due to a banal accident, they involve an unaware passerby in their affairs. She is projected into their world made of silences, memories, disappointments, but also trivial gestures of love, which are nothing more than a desperate request for attention. At a certain point, the vision turns upside down, highlighting hidden shadows and immense pain,  behind the apparent superficiality.

 

MFA 2018 - Chiara Boscaro & Marco de Stefano

2021 – Luca Garello

WHEN MEN WERE MEN

Flavia is the owner of a detective agency. In 1996, an elderly woman hired her to investigate Pietro Montali, a soldier who was missing during the Second World War. A few years later Flavia will tell a journalist the story of that research: an investigation that, following the thread of the official documents, testimonies and correspondence of Montali, will lead Flavia to shed light on a dark and tragic past, a love suffocated by the advent of the Racial Laws.

MFA 2018 - Chiara Boscaro & Marco de Stefano

2022 – Andrea Cioffi

APARTMENT 2B

In Apartment 2B lives Aimo, a thirty-year-old like many others: precarious work, rented apartment, unpaid bills and a disturbing vision with human features but monstrous proportions, that keeps appearing around him, pills in hand, suggesting the way to go: suicide. His only contact with the outside is a shower of voice messages haunting him with deadlines and responsibility, until the apartment door opens, letting new people enter the studio and his life. 

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